Lesia Vasylchenko (b. Kyiv, Ukraine) is an artist and researcher whose practice spans video, photography, and installation. Her work explores the intersections of visual culture, media archaeology, and chronopolitics. She develops speculative frameworks such as Tachyonic Data (Onassis Publications) and Chronosphere (Institute of Network Cultures) to critically examine temporalities, technologies of vision, and the role of orbital infrastructures in shaping perception of time. Vasylchenko holds a degree in Journalism from Taras Shevchenko National University of Kyiv and a degree in Fine Art from the Oslo National Academy of the Arts. Her work has been exhibited at, among others, the Museum of Modern Art in Warsaw, the MUNCH Museum in Oslo, Schinkel Pavillon in Berlin, and the Venice Biennale. She received the Sandefjord Kunstforening Art Award (2023) and the PinchukArtCentre Prize Main Award (2025), and is currently nominated for the Future Generation Art Prize (2027).
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